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photo by Astrid Karger
Wednesday, August 01, 2018
Here it is!  Pas perdu, the new CD by Winter & Winter, official release date: September 1, 2018.
 
Wednesday, April 18, 2018
Web Wal Whispers (WWW) is an interactive web-based soundwork, conceived with Marco Liuni as a part of the “Segni per la Speranza” created in collaboration by an amazing team of artists and developers in collaboration with Politecnico di Torino and Conservatorio Statale di Musica "Giuseppe Verdi" di Torino, thanks to Fondazione Spinola Banna per l'Arte.
Sunday, October 01, 2017
After having achieved Prima traccia, Altra voce and the new madrigals for Exaudi (The triple foole and Di dolci aspre catene, complete version), Stefano is working on his Nelly Sachs' project for the voice of Charlotte Hellekant with Münchener Kammerorchester.
Tuesday, October 20, 2015
Now available... An essential book on Stefano Gervasoni's music by Philippe Albèra, Editions Contrechamps: Le parti pris des sons. Sur la musique de Stefano Gervasoni
 

In the words of Albèra, professor of music history, analysis and aesthetics at the Hautes Écoles de Musique in Geneva and Lausanne, founder of Contrechamps and of the Éditions Contrechamps, and collaborator in various concert organisations, «Stefano Gervasoni’s music traces its path with an acute awareness. While evolving in significant terms, it retains a considerable unity. In its very fragility, it represents the dynamics of our times, which it sharply reflects: on a musical level, through an exploration of timbre that overturns traditional conceptions, through the integration within a broad range of thought, which brings into play all the parameters of composition, and through forms that combine the technique of montage and the sense of a trajectory. On a more general level, through the attention to linking his music to ethical, spiritual, political and poetic questions that give rise to an extremely rich content, and that have led the composer to exploit remote idioms, like the fado, or historical materials, like perfect chords, without ever making a minimum return to the past. On the contrary, the whole of Gervasoni’s path displays an invention that constantly opens new territories, mixing a fertile imagination with a depth of craft and a sharp critical sense. Gervasoni’s music is highly expressive and is able to maintain forms of enchantment alongside the darkest and hardest of moments. In the current scenario, in which regressive movements are gaining ground, this tenacious and unbending research gives us reason for hope».
 
Saturday, May 20, 2017
Finally achieved Capriccio ostico for Lemanic Modern Ensemble! And now composing new five voice madrigals for Exaudi...
Dunkler Lichtglanz for alto flute, viola, cello
Liebesverrat Lieder und innere Stimmen d'après Robert Schumann für drei Sänger und Orchester herausgearbeitet von Stefano Gervasoni for soprano, tenor, baritone and orchestra
Drei Grabschriften for mezzo-soprano and piano
In die Luft geschrieben upon Grabschriften in die Luft geschrieben and other posthumous epitaphs by Nelly Sachs for mezzo-soprano, harp, celesta, percussion and string orchestra
Altra voce omaggio a Robert Schumann per pianoforte e dispositivo elettronico trasparente for piano and electronics
The triple foole quattro madrigali a cinque voci su testi di John Donne for vocal ensemble (S. MS. CT. T. B.)
Prima traccia for basset horn and live electronics
Capriccio ostico for ensemble
Dodici sonetti di Camões da "Com que voz" for baritone and large ensemble
Eufaunique for large ensemble
Ver­än­de­rung XXXI-bis da Diabelli-Variationen op. 120, rielaborazione per quattordici strumenti for fourteen musicians
Yoru no hibiki, yama no naka yori Musica notturna dal silenzio della montagna, su versi di Saigyō, per voce e quartetto d’archi for voice and string quartet
Muro di canti Multichannel time-evolving sound installation
Fu verso o forse fu inverno sei liriche di Lorenzo Calogero for mezzosoprano, piano and live electronics
Di respiri mancanti for orchestra
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